
The BFG realizes that Sophie has lost her blanket, exposing her presence to the other giants, and leaves her outside her orphanage. They return to Giant Country just as the other giants have finished eating children around the world. She accompanies him to London for his nightly work: using his dream-trumpet to spread good dreams to sleeping children. The giant reveals that his only name – besides "Runt", the other giants' nickname for him – is "the Big Friendly Giant", which leads Sophie to call him "BFG". In Dream Country, Sophie and the friendly giant catch good and bad dreams. A thunderstorm drives the man-eating giants into their cave, but the Fleshlumpeater finds Sophie's dropped blanket. They accidentally awaken the other giants, and after the Bloodbottler suggests they "frolic", they bully the friendly giant.

Sophie persuades the friendly giant to take her to visit Dream Country. He smells Sophie, but the elderly giant convinces him to leave. The Fleshlumpeater, the infantile leader of the man-eating giants, intrudes and demands for a " boo-boo" on his finger to be fixed. In his workshop of dreams, the giant fashions a nightmare to convince the sleeping Sophie to stay with him in safety. If she ventures out alone, she may be eaten by the nine much larger giants. He explains that he cannot allow Sophie to return to her world and reveal the existence of giants. Later, she sees an elderly Giant Man outside her window, who captures her and takes her to his home in Giant Country. One night, she shouts at some men in an alley-way.

Sophie, a 10-year-old girl living in a London orphanage, is often awake at the " witching hour". Despite receiving generally positive reviews from critics, the film was a box office bomb, grossing $195 million against its $140 million budget. The film was released in the United States in Disney Digital 3D, RealD 3D, IMAX 3D, and conventional theatrical formats on July 1, 2016, the same year of Dahl's centennial. The BFG premiered at the Cannes Film Festival on May 14, 2016, and held its North American debut at the El Capitan Theater on June 21, 2016. Principal photography commenced in March 2015, marking Spielberg's first directorial film for Walt Disney Pictures, which co-financed the film. Spielberg was announced as director in April 2014, alongside his production company Amblin Entertainment as co-producer. DreamWorks acquired the screen rights to Dahl's book in September 2011, and Marshall and Sam Mercer joined as producers, Mathison as screenwriter and Kennedy as executive producer.

Kathleen Kennedy and Frank Marshall began development on a live-action adaptation of The BFG back in the 1990s, and various screenwriters were hired to work on the screenplay in the subsequent years. In the film, a 10-year-old orphaned girl named Sophie befriends a benevolent giant dubbed the "Big Friendly Giant", who takes her to Giant Country, where they attempt to stop the man-eating giants that are invading the human world. The film stars Mark Rylance, Ruby Barnhill in her film debut, Penelope Wilton, Jemaine Clement, Rebecca Hall, Rafe Spall and Bill Hader. In the video game film adaptation box office, only five films had a box office gross with more than $400 million worldwide as of July 2022 Warcraft (2016), Rampage (2018), Detective Pikachu (2019), Uncharted (2022), and Sonic the Hedgehog 2 (2022).The BFG (titled onscreen as Roald Dahl's The BFG) is a 2016 fantasy adventure film directed and co-produced by Steven Spielberg, written by Melissa Mathison (her final film before her 2015 death) and based on Roald Dahl's 1982 novel of the same name.

However, Werewolves Within (2021) became the best-reviewed film based on a video game.
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From 2019 to 2022, only four video game films had a "fresh" (60% or above) rating on Rotten Tomatoes: The Angry Birds Movie 2 (2019), Detective Pikachu (2019), Sonic the Hedgehog (2020), and Sonic the Hedgehog 2 (2022). Many films based on video games have often received generally mixed-to-negative reviews, often for their screenplays, casting choices, and lack of originality or loyalty to the source material. Also included are short films, cutscene films (made up of cutscenes and cinematics from the actual games), documentaries with video games as their subjects and films in which video games play a large part (such as Tron or WarGames). They include their scores on Rotten Tomatoes, the region in which they were released, approximate budget, their approximate box office revenue (for theatrical releases), distributor of the film, and the publisher of the original game at the time the film was made (this means that publishers may change between two adaptations of the same game or game series, such as Mortal Kombat).
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These include local, national, international, direct-to-video and TV releases, and (in certain cases) online releases. This page is a list of film adaptations of video games.
